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Do, re, mi, fa, sol, la, si, do

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Korisnikov avatar
By Sunce
#869948
U filmu "8 Femmes" su koriscene poznate francuske pesme. Kako vam se dopadaju, koja Vam je najlepsa?



message personnel Isabelle Huppert:
http://www.youtube.com/watch?v=wOPpPEzesfs

Virginie Ledoyen - Mon amour, mon ami (8 fammes):
http://www.youtube.com/watch?v=j0xYzvln ... ed&search=

Firmine Richard - Pour ne pas vivre seul (8 femmes)
http://www.youtube.com/watch?v=Cf8XSxDu ... ed&search=

Louise dance in 8 Femmes
http://www.youtube.com/watch?v=eI2uwu-J ... ed&search=

Ludivine Sagnier - T'es plus dans le coup papa (8 Femmes):
http://www.youtube.com/watch?v=Pgjiy3_m ... ed&search=

Fanny Ardant - A quoi sert de vivre libre (8 femmes):
http://www.youtube.com/watch?v=GX7ADncM ... ed&search=

Emmanuelle Béart - 8 Femmes:
http://www.youtube.com/watch?v=mFbCbe66 ... ed&search=


Meni se najvise svidja pesmica koju peva izabel Iper, zatim Mon amour, mon ami i Pour ne pas vivre seul. Zamolicu Renoira da prevede pesme :france: .
By ~ Le Saint X ~
#871893
Sunce...jel ti sunce udarilo u venu?!
:D
Da prevedem pesme???

KAKO?

:lol:


Inace, ceo film, kao imuzika su vrlo slatki :D

:france:
Korisnikov avatar
By Sunce
#871936
Originally posted by Renoir
Sunce...jel ti sunce udarilo u venu?!
:D
Da prevedem pesme???

KAKO?

:lol:


Inace, ceo film, kao imuzika su vrlo slatki :D

:france:
Nije me udarilo, pa ja sam :sunce:

Kako? Uzmes papir i olovku i pratis tekst! Dobro, vise sam se salio, mada malo i istine ima u tome. Sad kad ti covek trazi francuski, ti neces, a ovamo sve pises na francuskom :( .
Film "Osam zena" nije trenutno kod mene, ali cim ga se docepam, ima da prepisem neke tekstove pesama. Ovih dana sam zarazen prvom i drugom.

I niko nece da poslusa pesmicice? :placko:
Korisnikov avatar
By Zoe
#936890
Zelim ja i poslusacu ih 1-og! :right:
Korisnikov avatar
By Tot
#943225
Opredelio sam se za " A quoi sert de vivre libre" zato što peva Fanny Ardant a pojavljuje se i Catherine Deneuve; moje omiljene glumice.
Korisnikov avatar
By Lepa Krepa
#943413
Originally posted by Sunce
I niko nece da poslusa pesmicice? :placko:
ja sam uredno odgledala virginie, ši iz simpli d kjutest kričr! :love:
a ostalo sam već odslušala u filmu, tak da preskačem... :bye:
Korisnikov avatar
By Sunce
#951597
Originally posted by Lepa Krepa
Originally posted by Sunce
I niko nece da poslusa pesmicice? :placko:
ja sam uredno odgledala virginie, ši iz simpli d kjutest kričr! :love:
a ostalo sam već odslušala u filmu, tak da preskačem... :bye:
Super, super! Eto mene opet sa slušalicama na ušima. Uspavanka uz 8 žena! :klavir:
Korisnikov avatar
By Sunce
#951603
Synopsis
The film is set in the 1950s in a large country residence, as a family and its servants are preparing for Christmas, when the master of the house is discovered dead in his bed, with a dagger stuck into his back. The murderer must be one of the eight women in the house at the time, and in the course of the investigations each has a tale to tell and secrets to hide.

The scene opens with Suzon returning from school for Christmas break, finding her mother Gaby, her younger sister Catherine, and her wheelchair-bound grandmother Mamy in the living room, where most of the action of the film takes place. Their conversation drifts to the subject of the patriarch of the family, and Catherine leads the first song of the film, "Papa t'es plus dans le coup" (roughly, "Dad, you're out of touch"). The singing wakes up Suzon and Catherine's aunt Augustine, who picks arguments with the rest of the family and the two servants (Madame Chanel and Louise), eventually returning upstairs, threatening to commit suicide. Mamy jumps out of her wheelchair, trying to stop her, haphazardly explaining her ability to walk as a "Christmas miracle."

Augustine is eventually calmed down, and she sings her song of longing, "Message personnel" (Personal Message).

The maid takes the tray upstairs, finds Marcel's stabbed body, and screams. Catherine goes up to see what happened and locks the door. The others go finally up to Marcel's room to see him stabbed in the back. Catherine tells the others that they should not disturb the room until the police arrive. Realising that the dogs have not barked the night before, it seems clear that the murderer was one of the women in the house. Attempting to call the authorities, they find that the phone is disconnected, and they will have to go in person to the police station. However, the women are distracted by the announcement that someone is roaming in the garden, who for some reason, the guard dogs are not chasing. The person turns out to be Marcel's sister Pierrette, a nightclub singer who is also rumoured to be a streetwalker, and has not been allowed to the house before, due to Gaby's dislike for her. When questioned, she claims she received a mysterious phone call, telling her that her brother was dead; she also sings "A quoi sert de vivre libre" (What cost living free?), commenting on her sexual freedom.

It is realised that she has been to the house before, as the dogs did not bark, making her the eighth potential killer. The women try to start the car, and find that it has been sabotaged, cutting them off from help overnight, until they can hitchhike to town in the morning. The women spend their time trying to find the murderer amongst them. It is discovered that Suzon in fact returned the night before, to tell her father in secret that she was pregnant. She sings a song to Catherine, "Mon Amour, Mon Ami" (My Lover, My Friend), about her lover, who, is in fact, her father. We later find out that, unknown to everyone involved excluding Gaby, Suzon is not his child, and is actually the child of Gaby's first husband.


Suspicion then swings to Madame Chanel, the housekeeper, whose actions the night before seem suspicious; it is revealed that she has been having an affair with Pierrette, who went to see her brother that night to ask for money to pay off her debts. When some members of the family react in outrage to the fact that she is a lesbian, she retreats to the kitchen, and sings "Pour ne pas vivre seul" (So as to not live alone).

The spotlight moves to Louise, the maid, who is found out to be Marcel's mistress, yet declares her love for Gaby, yet expresses disappointment in her for her weakness and indecision. She sings "Pile ou Face" (literally Heads or Tails, but referring to the Ups and Downs of life), and removes the symbols of her servitude, her maid's cap and apron, asserting herself as an equal to the other women.

Gaby sings "Toi Jamais" (Never You), about Marcel, saying that he never paid enough attention to her, while other men did; it is revealed that she had an affair with his business partner, the same man who has been having an affair with Pierrette. The two women get into a fight, which turns into a make-out session on the living room floor, which the others walk in on.

Eventually, Madame Chanel decides to reveal the solution to the mystery, but Catherine takes the lead, revealing that she had hidden in her father's closet, and had seen the other women all talk to Marcel the night before, and explains the mystery: Marcel had faked his own death, with her help, to see what was really going on in his house. She claims that he is now free of the other women's clutches, and rushes into his bedroom, only to see him shoot himself in the head, in absolute despair. Mamy ends the film with the song "Il n'y a pas d'amour heureux" (There is no happy love).
Korisnikov avatar
By Sunce
#951604
Originally posted by Tot
Opredelio sam se za " A quoi sert de vivre libre" zato što peva Fanny Ardant a pojavljuje se i Catherine Deneuve; moje omiljene glumice.
Slika samo za tebe! Vidi kako se vole:

Slika
Korisnikov avatar
By Kiborg
#952796
Augustine (Isabelle Huppert)
lyrics: Message Personnel (Personal Message)

Au bout du téléphone
Il y a votre voix
Et il y a des mots
Que je ne dirai pas
Tous ces mots qui fonts peur
Quand ils ne font pas rire
Qui sont dans trop de films
De chansons et de livres
Je voudrais vous les dire et je voudrais les vivre
Je ne le ferai pas,
Je veux, je ne peux pas
Je suis seule à crever, et je sais où vous êtes
J'arrive, attendez-moi, nous allons nous connaître
Préparez votre temps, pour vous j'ai toute le mien
Je voudrais arriver, je reste, je me déteste.
Je n'arriverai pas,
Je veux, je ne peux pas
Je devrais vous parler
Je devrais arriver
Ou je devrais dormier
J'ai peur que tu sois sourd
J'ai peur que tu sois lâche
J'ai peur d'être indiscrète
Je ne peux pas vous dire
Que je t'aime peut-être

Mais si tu crois un jour que tu m'aimes
Ne crois pas que tes souvenirs me gênent
Et cours, cours jusqu'à perdre haleine
Viens me retrouver
Si tu crois un jour que tu m'aimes
Et si ce jour-là tu as de la peine
A trouver où tous ces chemins te mènent
Viens me retrouver
Si le dégoût de la vie vient en toi
Si la paresse en toi
Pense à moi, pense à moi

Mais si tu crois un jour que tu m'aimes,
Ne le considère pas comme un problème
Et cours, cours jusqu'à perdre haleine
Viens me retrouver
Si tu crois un jour que tu m'aimes
N'attends pas un jour, pas une semaine
Car tu ne ais pas où la vie t'emmène
Viens me retrouver
Si le dégoût de la vie vient en toi
Si la paresse de la vie
S'installe en toi
Pense à moi, pense à moi.

Mais si tu...

___________________

Evo, valjda će Renoiru biti lakše da prevede.
Ako njega bude mrzelo, prevešću ja, ali ne znam baš dobro francuski, tako da bolje da se stručnjaci pozabave time :D

Reči za ostale pesme iz ovog filma imate ovde: http://www.lyricsdirectory.com/portal/s ... k/8femmes/
Korisnikov avatar
By Mars
#1273953
Firmine Richard zbog teksta, Isabelle Huppert zbog SVEGA!

Mada ih volim SVE.
Korisnikov avatar
By Sunce
#1521246
Originally posted by 11vie
interesting.. im going to check this one out.. thanks a lot



assurance vie
:yay: :love:
Korisnikov avatar
By lostinspace
#1521409
Svideo mi se tekst, pa hajde da prevedem, kad mi je vec dosadno... :) Znam da se malo cari izgubilo u prevodu, ali sta mogu, nisam profi :)

Na telefonu
Vas glas
I neke reci
koje izgovoriti necu...
Sve te reci koje plase
kada ne zasmejavaju
koje su deo previse filmova,
pesama i knjiga...
Zelela bih ih vam reci i proziveti ih,
necu to uciniti;
zelim - ne mogu.
Ostavljena sam sama da kopnim, a znam gde ste vi...
Stizem, cekajte me, upoznacemo se...
Spremite svoje vreme, za vas ja imam sve svoje.
Volela bih da stignem, ali ostajem, mrzim sebe
Necu uspeti,
zelim - ne mogu
moram vam reci, moram stici
ili moram spavati...
Plasim se da ne cujes,
plasim se da si kukavica,
plasim se da ne budem nesmotrena.
Ne mogu ti reci... Da te... mozda volim...

Ali ako jednog dana pomislis da me volis,
ne misli da mi secanja smetaju,
i trci, trci dok ne izgubis dah,
potrazi me,
Ako jednog dana pomislis da me volis,
I tad se namucis da vidis kuda te sve putevi vode,
potrazi me,
Ako ti se zivot nekad smuci,
ako te nekad bude mrzelo da zivis,
pomisli na mene, pomisli na mene...

Ali ako jednog dana pomislis da me volis,
ne smatraj to problemom,
i trci, trci dok ne izgubis dah,
potrazi me,
Ako jednog dana pomislis da me volis,
Ne cekaj ni sedmice, ni dana,
jer ne znas gde te zivot moze odvesti,
potrazi me,
Ako ti se zivot nekad smuci,
ako te nekad bude mrzelo da zivis,
pomisli na mene, pomisli na mene...
Korisnikov avatar
By Sunce
#1521416
lostinspace, mnogo, mnogo hvala! :love:
Korisnikov avatar
By sing&dunum
#1608400
Hehe, listam "Muziku" i naletim na temu... :trep:

Film nisam gledao, nisam imao mnogo strpljenja, od malih nogu mjuziklovi (kao ni svojevremeno pevacke tacke u omiljenim mi crtanim filmovima) mi nisu bliski... :D

Jedini koji volim je "Mamma Mia"... :dancingfever:

Dosta sa off-om.


Medjutim, potrazio sam pesme iz "8 zena" na Youtube-u i potom ih poskidao sa neta. Dakle, samu muziku iz filma volim. :tamoamo:

Skinuo sam one koje su mi se svidele:

- Fanny Ardant - A quoi sert de vivre libre,
- Virginie Ledoyen - Mon amour, mon ami,
- Catherine Deneuve - Toi Jamais,
- Isabelle Huppert - Message Personnel

(redosled je slucajan, kao na Winamp playlisti... :) )
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